Password

 

LEARN MORE:

The MARI®process

History of the MARI®

Origins of the MARI® by Joan Kellogg and the MARI® today by Shelley Takei

How the MARI® is like and unlike other psychological instruments

About Us
What Is Mari?
What Is Mari?
Calendar
Locations
Mari Store
Mini-Mari Test
Testimonials
Contact
 

THE OLDER HISTORY OF THE MARI®

Synchronicity:
One Instance in Looking for the Roots of the Mandala

-by Joan Kellogg, M.A., A.T.R. (1989)

Joan planned to present this recollection as a panelist on the subject of Shamanism at an Art Therapy Conference in San Francisco. She was unable to attend.

While working with subjects' mandalas in Baltimore in the mid-70's, I chose the title, Mandala Assessment and Research Institute, as a name to identify my workshops. The individual [capital letters spell] "MARI".  Some of my reading at the time was devoted to the history of the mandala, and the early images of mandala.

Some kind soul - whose identify I did not know or cannot remember -  told me of a city called Mari in the Near East that had been discovered and partially excavated. It dated back to 4,000 B.C., making it almost 6000 years old now.

The Ancient City of Mari

In 1981, on visiting the Walters Art Gallery/Museum in Baltimore, I began my search with the library there, and just gave my name and the subject of my interest to the librarian. I do not speak or read French, and was disheartened to see her load a table of volumes in this language. I had gotten there a bit after noon, and with much enthusiasm these very kind women proceeded to translate page after page into the late afternoon. All of it was very exciting to me. I was enthralled and asked one of them if, by chance, there might have been anything in a form like a mandala at Mari. With that she opened yet another book, and lo, there the picture was of this circle with a star. She translated all the material relevant to it for me:

These are called "star" murals: very large and brightly colored baked-clay murals scattered throughout the Palace of Mari. When found, they were of course broken and had to be pieced back together again, but the colors remained very bright and clear, and included the three primary colors and white.

Most of us would tend to believe that the mandala image originated in Asia, but here is one from what is or was called Mesopotamia. This city is on the banks of the Euphrates River. The approximate date of the murals is roughly 2000 B.C. to 3000 B.C.. This corresponds to the settling down in cities by formerly nomadic tribes. It was also the time when writing began and the keeping of tax rolls. Mari is unique in that both male and females were scribes.

The Mandala of Mari and the Goddess of the Flowing Waters

Now, remember, I did not set out to find mandalas. I set out to find out about this curious city that had a name like the initials of MARI®. So, I was very surprised to find the name Mari was also tied into an important mandala form there. This finding was the result of a chance remark- it certainly seems a certain kind of synchronicity was at work.

Goddess of Flowing Water - Steven L. Spathell, Artist

This was accompanied by a drawing of a Goddess of the Flowing Water, whose statues were found in the "Courtyard of the Palms," a ritual annex at the Palace of Mari. Water in the desert area was critical, and must have had some magical meaning.

She (the goddess statue) traveled to the USA last year [1988] with many artifacts from Mari, and was displayed at the Smithsonian and at prominent museums throughout the country. It [was to be] the last time any of this [would] leave its country of origin.

This [star] mandala might be representative of Stage 9 in the Great Round, and colorfully reflects the organization and crystallization of the city-state. I continue to hear from archeologists on early motifs that may predate this one. I wish to acknowledge my gratitude to the museum and the librarians who have so enthusiastically responded to my queries over the years.

-Joan Kellogg, M.A., A.T.R.

 

THE SYNCHRONICITIES CONTINUE
-by Michele "Shelley" Takei, Ph.D. (2006)

Joan was enthralled to learn about Mari's early roots in 1981. I was equally thrilled when my partners and I discovered the above manuscript in Joan's archives twenty-five years later!  In many ways it appears that the synchronicities are continuing...

My passion has always been feminine psychology and spirituality. I have taught numerous classes on all aspects of Women’s Ways of Knowing as well as Feminine Archetypes. I was always particularly interested in the hypothesis that there were many early civilizations where women were valued equally. I was as thrilled as Joan to learn that the MARI® was associated with an ancient city with the same name. Ancient Mari, which had a temple where they honored a goddess and created mandalas, was most probably one of these egalitarian cities.

Since discovering the fascinating roots of Mari in Joan’s work, I have learned even more about the temple and the goddess who share MARI®’s name. The Mari temple was considered one of the ancient wonders of the world. The temple was huge, covering more than six acres, and was located in an area now referred to as the Holy Land. But this was just the beginning of many deep connections with the goddess that was the focus of this ancient city.

According to historian Barbara G. Walker (Woman’s Encyclopedia of Myths and Secrets, 1983), the Goddess of Flowing Waters was just one variation of the Goddess Mari. In every culture, she was associated with water.  The Semites worshipped an androgynous form of the Goddess-and-God, known as Mari-El ("Mary-God"). The Egyptians honored Meri-Ra, which combined the feminine principle of water and the masculine principle of the sun.  Mari-Baruti, in Babylonia, was known as the Sea Mother, who lived in the womb-chamber where statues of gods were said to have life breathed into them, thereby animating them. Hindu cultures knew her as Kel-Mari, the Glorious One. She was also known as The Great Fish, who gave birth to the gods (hence the etymology of "mer-maid").

In every form, she was known as Mother Sea. Walker states that, “St. Peter Chrysologus called her the Christian incarnation, the virgin Mary, the gathering together of the waters. But she was also the earth and heavens, since her earliest form was a trinity," [p. 584] . Walker also believes that she was probably the same goddess worshipped by the Slavs under the name Marzanna (Mari-Anna), who guided the ripening of fruit.

Mari and her pagan consort may have been the forerunners of Adonis and Aphrodite. The cult associated with the Nestorian Christians considered Mari to be The Fate Spinner, who was older than time. Medieval Spain knew the goddess Mari as the one who lived in a magical cave, gave gifts of fairy gold, and rode through the night as a ball of fire. The islanders of Inis Maree worshipped the goddess Mari (and later under the guise of St. Mourie), naming their island in her honor. For more than 1500 years, she was celebrated on August 25.

I am honored that the association with the goddess Mari -along with her rich history- has found its way into my life. The synchronicities associated with the MARI® continue to bring wonderful people and information into my life, and I hope that her life-giving waters of inspiration and nurturance will forever continue to flow out through the gift of this marvelous Instrument.

-Michele "Shelley" Takei, Ph.D. (2006)

 

Go to Top of Page

MARI® Creative Resources, Inc.
2532 Albemarle Avenue, Raleigh, North Carolina 27610
Phone: 919-821-4222      Fax: 919-834-9108      mari4info@aol.com
©2006 MARI® Creative Resources, Inc.    Web Mistress: Beth Woyshville
Website Design by Hummingbird Creative Group